ericcoleman (
ericcoleman) wrote2008-06-17 10:43 am
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So, let's talk about this here, since I made a flippant comment elsewhere
This started with a flippant comment on
philady's LJ, but it seems to have escalated, so I feel I should discuss it.
As some of you know, I do not attend Convergence
philady posted a poll here that said
Are you getting stoked for CONvergence?
Yes.
HELL YES!
I'm not going. I'm lame.
Me being me, I said
"I'm not going, the people who run Convergence are lame"
433 took exception to this, and for good reason.
So, the reason for my problems with Convergence go back several years. When I was trying to do the 12 cons in 12 months I contacted them to see about playing.
I have one rule when it comes to cons, if I contact a con about playing, it is my responsibility to pay for my badge. If they comp me, that's a good thing, but that is up to them.
If they contact me, they are contacting me as a pro. I don't make much of my living playing music, but I certainly do at least a little. Unless you are a tiny tiny con, you comp the pros. Period.
The next year I was contacted, please come play at the con. Cool. I had a good time the year before. Oh, if you want to do anything else, you have to buy a badge.
I said that I can't do that, you're asking me to drive there and play a show for no recompense except hopefully selling some CDs, I can't. I was nice about it, I do try to treat any venue I play with a good degree of professionalism, then the guy got all defensive and weird and went off on a rant about how it is not "pay to play" since I would get into my own show free.
I live 200+ miles away from the Twin Cities. At that point driving there and back cost me around 60 bucks. This guy asked me to play a free show that is costing me money, and tells me that it is not "pay to play". If I was local I suppose that I might have had a different reaction. I'm not.
The way I see this is like ... well ... if I was playing at a club, and they said, "sure, you can be on the stage, but if you want to go anywhere else you have to pay the cover charge".
It's a terrible way to treat people who you invite in to perform for and entertain YOUR guests. We are part of the show. You should show us respect. I think I may have had a different reaction if not for the "it's not pay to play thing". It would have just been left there, and I wouldn't go to Convergence. But the guy was an ass.
I know a little about the history of TC cons, and I know that there was a point where too many people got comped, things got out of control. But there is a point at which it is just silly.
So there is why I made my little flippant comment
433. It wasn't the best way to handle it, but maybe this will do some good. I have talked to other folks involved with Convergence about this, but nothing has come of it. It's a big con. You can do what you want because of that. But it does not serve the con well to treat people badly.
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As some of you know, I do not attend Convergence
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
Are you getting stoked for CONvergence?
Yes.
HELL YES!
I'm not going. I'm lame.
Me being me, I said
"I'm not going, the people who run Convergence are lame"
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
So, the reason for my problems with Convergence go back several years. When I was trying to do the 12 cons in 12 months I contacted them to see about playing.
I have one rule when it comes to cons, if I contact a con about playing, it is my responsibility to pay for my badge. If they comp me, that's a good thing, but that is up to them.
If they contact me, they are contacting me as a pro. I don't make much of my living playing music, but I certainly do at least a little. Unless you are a tiny tiny con, you comp the pros. Period.
The next year I was contacted, please come play at the con. Cool. I had a good time the year before. Oh, if you want to do anything else, you have to buy a badge.
I said that I can't do that, you're asking me to drive there and play a show for no recompense except hopefully selling some CDs, I can't. I was nice about it, I do try to treat any venue I play with a good degree of professionalism, then the guy got all defensive and weird and went off on a rant about how it is not "pay to play" since I would get into my own show free.
I live 200+ miles away from the Twin Cities. At that point driving there and back cost me around 60 bucks. This guy asked me to play a free show that is costing me money, and tells me that it is not "pay to play". If I was local I suppose that I might have had a different reaction. I'm not.
The way I see this is like ... well ... if I was playing at a club, and they said, "sure, you can be on the stage, but if you want to go anywhere else you have to pay the cover charge".
It's a terrible way to treat people who you invite in to perform for and entertain YOUR guests. We are part of the show. You should show us respect. I think I may have had a different reaction if not for the "it's not pay to play thing". It would have just been left there, and I wouldn't go to Convergence. But the guy was an ass.
I know a little about the history of TC cons, and I know that there was a point where too many people got comped, things got out of control. But there is a point at which it is just silly.
So there is why I made my little flippant comment
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We gotta pay.
~Nicky
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I agree and disagree. I'm okay with not comping the Directors. But then again I'm also a firm believer that the Directors should be on the Concom or Staff in some capacity as well.
I completely disagree on the Concom... if it weren't for the concom there'd be no convention. I don't know about Convergence but at Cap we comp people if they volunteer 12 hours over the course of the weekend, and the con makes money.Plus the comps to the guests of honor, etc. Every last concom member is going to put in way more than 12 hours over the course of the year, so why should they be asked to reach into their pocket to pay to go to the event that they're running and putting on. Just doesn't seem right to me.
There are people involved with running Cap who feel very strongly that I'm an idiot on this issue, and when they're in charge they get to set the rules. So we don't even have a consistent practice from year to year... which goes to some of our lameness. :)
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Gophers
Panelists
Staff
Chair
The people at the bottom of the totem pole here may have spent more time than anyone on the con, but they're also (arguably) the ones most responsible for determining whether the con ran a surplus or a deficit.
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The people who are there to entertain the members of the con
And the people who are responsible for not messing up the con
Makes perfect sense to me
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Ditto if there were no members. Indeed, if I had 800 members (and 800xattending membership costs in the bank) I'd have a much better chance of running a ad-hoc con than I would if I only had a concom.
I think that what is rankling me here is that you're putting Conrunning/SMOFfing up above everything else in the FANAC hierarchy. Yes, it's work -- ever spent hours practicing filk, or hours running out fanzines? Hobbies, after all, are our job-away-from-job. Hobbies, after all, are our job away from job.
And, you know, I say this as a guy who's primary FANAC throughout his life has been conrunning.
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So those 20-40 some odd people who are devoting their time to run the con are doing a service so the rest of the community has somewhere to gather and show off the rest of their hobbies. And yes... I get it that if these people didn't spend those hours practicing/painting/writing/compiling notes/etc there would be little reason for the con in the first place... but that's sort of a chicken/egg question. In essence people running a con are providing a service, by creating circumstances for a given group of people to be in one place at a given time so they can interact with each other on a large scale. Could someone else go through the effort to arrange for a space for 800 of their closest friends to get together and hang out for a weekend and explore their hobbies. Sure. And that's how cons get born.
Oh and from your other reply about membership vs. admission. I think that in a lot of cases the term membership is used to justify the non-profit organization rules. How many conventions give you anything other than admission for the given year's con for your membership price? Somewhere along the line someone smart figured out that if you call it a membership organization you can get tax-exempt status, word spread through SMOFish circles and thus was born "membership"
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On CONvergence, there are seven Divisional Directors who, aside from making the big convention decisions, also are overseeing various departments of the convention. The Events Division Director, for example, oversees the Mainstage, Consuite, Programming, and many other departments. I'm the Marketing Division Director, which encompasses the Dealers Room, Art Show, Merchandise, and Advertising. So a lot of us put a lot more hours in running the con than Department Heads do!
I realize that a lot of other cons do it differently, and we didn't like that. We wanted the "Exec" to be fully involved with running the con, and we wanted to split it up so that A) One person couldn't just go crazy and wreck the con; and B) there would be less of a chance of one person burning out. Both have worked -- the convention is bigger and stronger every year, and 5 of the 7 people who started the con are still on the "Exec" 11 years later (the other two joined shortly thereafter). We've also had a great number of concom who have been doing amazing work for 5-10 years, so we're very lucky in that respect too.
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